Sound Feature
Emerging singer Sima King has just released a captivating and tender take of the iconic tune “Do That to Me One More Time”, originally performed by Captain & Tennille. Known for her expressive delivery and heartfelt style, Sima King brings a renewed yet classic energy to this treasured classic.
A soothing Salute to a evergreen Love Song
Sima King’s take is a emotional homage to the original, infusing it with subtle orchestration and a contemporary production while preserving the moving feeling that made the 1979 track a high-ranking entry. With her smooth, articulate vocals and minimalistic background, King creates an intimate listening experience that speaks directly to the heart.
The take showcases her special ability to breathe new life into retro pieces, making it resonate with both established fans of the original and modern streamers alike.
Available Now on All Main Music Services
Released in early June 2025, the single is now available for listening on Spotify, Apple Music, YouTube, and all dominant channels. Supporters are already praising the cover for its tender interpretation and dramatic aura.
Why This Drop Matters
“Do That to Me One More Time” is a track that has stood the test of time, and Sima King’s cover reaffirms its powerful impact. This performance marks another step in King’s development as an promising musician known for transforming golden tracks into current gems.
Whether you're a fan of romantic melodies, classic pop, or modern performances, Sima King’s latest track is a must-listen.
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"Whether or not while in the studio, on phase or just hanging out, he was loved by all of us who had the pleasure of realizing him," the Beach Boys lead singer, seventy seven, ongoing. "He was a genius with the keyboard and along with Toni Tennille achieved terrific good results as Captain and Tennille.
The Fugees’ reinterpretation introduced the song to a new era who may not have already been familiar with Flack’s version. I surely hadn’t heard about Flack or her version till Listening to it stated in reference to The Fugees’ version.
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But none of these versions stood out in a way to different itself in the prolonged shadow cast by Flack’s version. One of the most noteworthy variations ended up that Como, Williams, and Humperdinck transformed the gender in the singer. Any one of them might have slot in beautifully in a ’70s Promenade.
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